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Hind Rassam Culhane: 1. East/West, an Ambiguous State of Being: The Construction and Representation of Egyptian Cultural Identity in Egyptian Film

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East/West, an ambiguous state of being : the construction and representation of Egyptian cultural identity in Egyptian film / Hind Rassam Culhane · The golden years of Egyptian film : Cinema Cairo, edited by Sherif BoraiÌˆe ; with essays by Mustafa Darwish, Rafik el-Sabban, Yasser Alwan ; film ...

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East/West, an Ambiguous State of Being: The Construction and Representation of Egyptian Cultural Identity in Egyptian Film by Hind Rassam Culhane and a great...

East/West, an Ambiguous State of Being: The Construction and...

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The Hardcover of the East/West, an Ambiguous State of Being: The Construction and Representation of Egyptian Cultural Identity in Egyptian Film by Hind

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Culhane, Hind Rassam. This analysis of an Egyptian film produced in Cairo in the mid-1980s shows how Egyptian cultural identity is represented. The film Khalil ...

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East - West an Ambiguous State of Being Vol. 4 : The Construction and Representation of Egyptian Cultural Identity in Egyptian Film by Culhane, Hind Rassam....

Culhane, Hind Rassam [WorldCat Identities]

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East/West, an ambiguous state of being : the construction and representation of Egyptian cultural identity in Egyptian film by Hind Rassam Culhane ( Book )

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East/West, an Ambiguous State of Hardcover. This analysis of an Egyptian film produced in Cairo in the mid-1980s shows how Egyptian cultural identity is represented. The film Khalil Ba'ad Al-Ta'dil (Khalil After Straightening Out) is a m...

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Hind Rassam Culhane (2014) : "East/West, an Ambiguous State of Being: The Construction and Representation of Egyptian Cultural Identity in Egyptian Film", ...

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East/West, an ambiguous state of being : the construction and representation of Egyptian cultural identity in Egyptian film / Hind Rassam Culhane ...

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Or, as Hind Rassam Culhane once argued, “the theme of many Egyptian films is that the native sons and daughters of Egypt must struggle to ...

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